Sociology & Criminology for a Changing World
Class, State, and Crime: On the Theory and Practice of Criminal Justice (1977) by Richard Quinney is one of the most influential Marxist analyses of crime and social control in the United States. The book combines a materialist analysis of society with a radical critique of the state’s penal system and is a key text
Social and Academic Context Emerging during a period of massive societal upheaval—including civil rights movements, anti-colonial struggles, and student protests—The New Criminology reflects the desire for a sociology that not only explains but also transforms the world. The authors take a clear stance against the dominant American sociology of the 1960s and advocate for a
Visions of Social Control: Crime, Punishment and Classification (1985) by Stanley Cohen provides a profound analysis of the transformations in social control in the late 20th century. While his earlier work, Folk Devils and Moral Panics (1972), focused on media discourses and moral reactions to deviance, Visions of Social Control turns to institutional, political, and
The Felon (1970) by American sociologist John Irwin is one of the most influential analyses of the lived realities of formerly incarcerated individuals. As a former inmate turned sociologist, Irwin combines personal experience with academic analysis. His central aim: to reconstruct the social processes through which ex-prisoners remain stigmatized as “criminals” and become socially marginalized
The Social Organization of Juvenile Justice (1968) by Aaron V. Cicourel is a groundbreaking study that reveals how juvenile delinquency is socially constructed within the everyday practices of legal and welfare institutions. Rooted in the traditions of ethnomethodology and symbolic interactionism, Cicourel demonstrates that youth crime is not an objective reality but the product of
With Tearing Down the Streets, American sociologist and criminologist Jeff Ferrell published a work in 2001 that is exemplary of Cultural Criminology. In this book, Ferrell examines how urban spaces are transformed into zones of conflict through practices like graffiti, skateboarding, and punk music—spaces where state control, economic interests, and subcultural resistance collide. The book